‘æ13‰ñ@’èŠú‰‰‘t‰ï
2016.9.19 (ŒŽEj) 14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
@y‚P•”z
@@ŸŽwŠö:÷ˆäŽŠ½
uŒy‹R•ºv ˜‹È gLeichte Kavallerieh, Ouverture@ F.von Suppe` •ž•”³iOPT‰Á•Mj
ˆ¤‚̈¥ŽA@ Salut d'Amour@ E.W.Elgar`W.Althoff/ˆÉ“¡•q–¾
“썑‚̃oƒ‰ Rosen aus dem Suden J.Strauss II`•ž•”³iOPT‰Á•Mj
‰ØC‚̍ՓT Festa di Nozze @ G.Manente` ’†–ì“ñ˜Y/¬ŒŠ—Yˆê
1. lX‚̏j•Ÿ @ Movimento di Gioia nel Popolo@
2. ‹³‰ï‚É‚Ä In Chiesa@@
3. ‰Æ‘°‚̏j‰ƒ Festa in Famiglia @
@y‚Q•”z
@@ŸŽwŠö: ŽRŒû Š°
uƒGƒOƒ‚ƒ“ƒgv ˜‹È gEgmonth, Ouverture L.van Beethoven
`ŽRŒûŠ°iOPT‰Á•Mj
ƒRƒ“ƒgƒ‰ƒoƒXEƒgƒ‰ƒ“ƒyƒbƒgEƒsƒAƒmEƒ}ƒ“ƒhƒŠƒ“‚Ì‚½‚ß‚Ì @@
‹¦‘tŒð‹¿‹È@•Ïƒz’·’² @ L.A.Kozeluch ` ŽRŒûŠ°
Sinfonia Concertante in E-flat major
for contrabass,trumpet, piano & mandolin
1. Allegro @@
2. Andantino con Variazioni@@
3. Finale, Allegretto @@
ƒRƒ“ƒgƒ‰ƒoƒX F¬Žº ¹L@
ƒgƒ‰ƒ“ƒyƒbƒg F²“¡ —F‹I
ƒs ƒA ƒm F ŸN–Ø Ž}—¢Žq@
ƒ}ƒ“ƒhƒŠƒ“ F²“¡ •¶º
ƒƒAƒ“ƒR[ƒ‹„
ƒ}ƒ“ƒhƒŠƒ“Žðê‚Ì–é Welcome to Cafe Mandolin @ “’ó—²`‹g“c„Žm/¬ŒŠ—Yˆê
ƒgƒ‰ƒ“ƒyƒbƒg‚«‚ÌŽqŽç‰S@ A Trumpeter's Lullaby@ L.Anderson`¬ŒŠ—Yˆê
ƒgƒ‰ƒ“ƒyƒbƒgF²“¡ —F‹I
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‘æ12‰ñ@’èŠú‰‰‘t‰ï
2015.9.27 (“ú)@14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
ŸŽwŠöFŽRŒû Š°/ ¦‹Ë“‡ ˆê˜Y@
@y‚P•”z ƒXƒyƒCƒ““ÁW
uƒZƒ”ƒBƒŠƒA‚Ì—”¯Žtv˜‹È ¦@ gIl Barbiere di Sivigliah, Ouverture@ Gioacchino Antonio Rossini ` Enrico Marucelli/•ž•”³

uƒSƒCƒFƒXƒJƒXvŠÔ‘t‹È@ gGoyescash, Intermezzo @ Enrique Granados
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u‚Í‚©‚È‚«l¶v‚æ‚è ƒXƒyƒCƒ“•‘‹È ‘æ1”Ô Manuel de Falla
Danza Espanola No.1 from gLa Vida Breveh `“c’†í•F/ŽRŒûŠ°

‘g‹ÈuƒXƒyƒCƒ“‚̈óÛv ¦ Impressions dfEspagne~ Suite Espagnole~@@ Manuel de Falla
1. s—ñ@Cortege@
`“c’†í•F/ŽRŒûŠ°
2. ƒZƒŒƒi[ƒf@Serenade
3. ƒIƒŒƒ“ƒW‚̖؂̉º‚Ł@Sous Les Orangers
4. ƒ{ƒŒƒ@Borelo
@y‚Q•”z ‘åàVˆê²‚³‚ñ‚ðŒ}‚¦‚Ä
uƒJƒ”ƒ@ƒŒƒŠƒAEƒ‹ƒXƒeƒBƒJ[ƒiv‚æ‚è "Cavalleria Rusticana" Pietro Mascagni
‘O‘t‹È‚ƃVƒ`ƒŠƒA[ƒi@ô @Prelude e Siciliana
ŠÔ‘t‹È @Intermezzo
•ê‚³‚ñA‚±‚ÌŽð‚Í‹ê‚¢‚Ë ô@Mamma, quel vino e generoso
ƒnƒ“ƒKƒŠƒA•‘‹È ‘æ1”Ô Ungarische Tanze Nr.1 Johannes Brahms`•ž•”³

“Ə¥‚ƃ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚Ì李
u”’‚¢”nv `ƒ‚ƒ“ƒSƒ‹–¯˜b‚æ‚èô ‘åŒI —T@
gWhite Horseh ` a Mongolian Legend
Musical Story for Tenor and Mandolin Orchestra
1D˜‘t@2D‚³‚ŸA‘Œ´‚֏o”­‚¾@3D”’‚¢Že”n@4D‹£”n@5D‰¤‚Ì“{‚è@
6DƒX[ƒz‚̔߂µ‚݁@7D”’‚¢”n‚Ì’E‘–@8D”’”n‚Ƃ̍ĉï‚ÆŽ€@9D–²@10D”n“ª‹Õ
ƒeƒm[ƒ‹F‘åàVˆê² ô@
Œê‚èF‰¡ŽRŒ¦Žq@
ƒ”n“ª‹Õ‰‰‘t„
ƒX[ƒz‚Ì”’‚¢”n@ Suh-ho and his White Horse ƒ‚ƒ“ƒSƒ‹–¯—w
äݔnŽ¾‘– Crowd of Horses stampede ƒ‚ƒ“ƒSƒ‹–¯—w
‰‰‘t Fƒ`ƒ“ƒQƒ‹ƒg

ƒƒAƒ“ƒR[ƒ‹„
ƒOƒ‰ƒiƒ_@@ @Granada Agustin Lara`ŽRŒûŠ°
ƒeƒm[ƒ‹F‘åàVˆê²@
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‘æ11‰ñ@’èŠú‰‰‘t‰ï
2014.9.28(“ú)@14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
@y‚P•”z
@@ŸŽwŠö: ŽRŒû Š°
Œð‹¿‹È‘æ‚R”ԁu‰p—Yv‘æ‚QŠyÍ ‘’‘—si‹È @@ L.van Beethoven`ŽRŒû Š°
2nd mov. Funeral March from Symphony Nr.3 E flat Major "Eroica" @
@@ŸŽwŠö: ‹Ë“‡ ˆê˜Y
ƒZƒŒƒi[ƒf Serenade C.F.Gounod `’†–ì“ñ˜Y
Œ·Šy‚Ì‚½‚ß‚ÌŽOŠyÍ Triptyque for String Orchestra ŠHì–琡Žu `¼–{÷
@y‚Q•”z
@@ŸŽwŠö: ŽRŒû Š°
ƒIƒyƒ‰uƒJƒ‹ƒƒ“v‚æ‚è‘O‘t‹È Preludio from Opera "Carmen" G.Bizet`•ž•”³
ƒWƒvƒV[‚Ì‰Ì Chanson Boheme from Opera "Carmen" @ G.Bizet`•ž•”³
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq
ƒWƒ…¥ƒgƒD¥ƒ” Je te veux E.A.L.Satie`¡ˆäÆl
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq
–éše‚«éò Die Nachtigall A.A.Alyabiev`•ž•”³
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq
ƒAƒ“ƒfƒ‹ƒZƒ““¶˜b‚É‚æ‚éƒ}ƒ“ƒhƒŠƒ“EƒI[ƒPƒXƒgƒ‰‚Æ•¨Œê —é–ØÃˆê ì‹ÈEìŽE\¬
Œ€“I‘g‹È gl‹›h
Dramatic Suite "The Little Mermaid", a fairly tale by Hans Christian Andersen @for Mandolin Orchestra and Narration
‘O‘t‹Èil‹›‚ÌŽå‘èj •é‚ê‚éŠC@…•v‚Ì—x‚è@—’‚ÌŠC@
l‹›‚Æ–‚—@l‹›‚Ɖ¤Žq@ŠC‚Ìš‘‚«@Žð‰ƒ@ I‹È @@@
Œê‚èFrˆä ”º”ü
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq
ƒƒAƒ“ƒR[ƒ‹„
‰—ö Îì‘í–؁@ìŽŒ@@
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq ‰z’J’B”V•`•ž•”³
ƒVƒ“ƒRƒyƒCƒeƒhEƒNƒƒbƒN@The Syncopated Clock L.Anderson`•ž•”³
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‘æ10‰ñ@’èŠú‰‰‘t‰ï
2013.9.22 (“ú)@14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
@y‚P•”z
@@ŸŽwŠö: ‹Ë“‡ ˆê˜Y
”ü‚µ‚­Â‚«ƒhƒiƒE An der schonen blauen Donau@ Johann Strauss II ` •ž•”³–
t‚̐º Fruhlingsstimmen@ Johann Strauss II ` ŽRŒûŠ°
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq
c’é‰~•‘‹È Kaiser-Walzer Johann Strauss II ` •ž•”³–
@y‚Q•”z
@@ŸŽwŠö: ŽRŒû Š°
** ’©‰ª^–ØŽq ì•iW ** Works by Makiko Asaoka@
ƒŠƒI‚Ì‹F‚è Riofs prayeri2013”NˆÏúì•ij
ƒŠƒI‚ÌŠC•— Sea breeze of Rio
‚È‚¬‚³ Seashore@ –؉ºéŽqìŽŒ@
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq
‰Ô‚̃ƒ‹ƒc Waltz of the flowers Š}Œ´ŽO’ÃŽqìŽŒ /ŽRŒûŠ°•Ò‹È
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq
ƒCƒOƒAƒX‚Ì“ø Rainbow over Iguazu Fallsi2009”NˆÏúì•ij

ƒƒAƒ“ƒR[ƒ‹„
‰Ô‚͍炭@ Šâˆär“ñìŽŒ@
@ ›–ì‚悤Žq`²X–؏Ÿ•v–
(–OP•âì)
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‘æ‚X‰ñ@’èŠú‰‰‘t‰ï
2012D‚X.23(“ú)@14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
@y‚P•”z
@@ŸŽwŠö: ‹Ë“‡ ˆê˜Y
uŽl‚Æ”_•vv˜‹È@ Ouverture gDichter und Bauerh F.von Suppe`M.Maciocchi–
ƒAƒ_[ƒWƒ‡@ Adagio@ T. Albinoni`•ž•” ³–
‚È‚¬‚³ @ Seashore@@ ’©‰ª^–ØŽq
Žž‚Ì—x‚è`‰ÌŒ€uƒ‰EƒWƒ‡ƒRƒ“ƒ_v‚æ‚è@ A. Ponchielli`Vincenzo Billi–
Danza dellf Ore from gLa Giocondah
(–OP•âì)
@y‚Q•”z@@
@@ŸŽwŠö: ŽRŒû Š°
** —é–ؐÈê“ÁW **
ŠyŽuá‚Ì‘¢Œ`v@ The Snow figurative arts —é–ؐÈê
‘æ1ŠyÍ ŒÍ–ì‚ÉŽU‚éèÂ
‘æ2ŠyÍ ŒŽá‚¦‚Ä
‘æ3ŠyÍ á‚Ì‘¢Œ`
ˆŸ–ƒF‚Ì”¯‚̉³— @ gLa Fille aux cheveux de lin hfrom Prelude 1-8 C. A. Debussy`—é–ؐÈê
ŒŽ‚ÌŒõ @ gClair de lune hfrom Suite Bergamasque-3 C. A. Debussy`—é–ؐÈê
‰¹Šy•¨ŒêuŽé–åvq’·’J—Y‹¨‘Ž†‚æ‚èr ‚‹´ŽO’jŠé‰æ /
SUZAKU Gate, Musical Story on gLord Haseo Picture Scrollh —é–ؐÈê\¬ì‹È
[‰‰oFŠÚ ˆŸ—¢¹ @‰f‘œFŽR–{–¾–퍁 @ˆß‘•F™àVD]
Œê‚èF^ŽÀˆê˜H@
’·’J—YF–쑺GŽ÷@@ƒ_ƒ“ƒT[F‹g“cx‘¾˜YAå“c–ƒØ
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‘æ‚W‰ñ ’èŠú‰‰‘t‰ï
2011.9.25.i“új@™•ÀŒö‰ï“°‘åƒz[ƒ‹
@y‚P•”z
@@ŸŽwŠö: ‹Ë“‡ ˆê˜Y
‰p—Y‚Ì”Ò‰Ì Epicedio Eroico C. O. Ratta/’†–ì “ñ˜Y •âì
Ã‚¯‚«–éiáґz‹Èj Notte serena, contemplazione P. Silvestri
ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̃Vƒ“ƒtƒHƒjƒGƒbƒ^ ‘åŒI —T
Sinfonietta for mandolin orchestra (No.1)
‘æ1ŠyÍ Allegro ma non troppo
‘æ2ŠyÍ Andante espressivo
‘æ3ŠyÍ Allegro molto vivace
@y‚Q•”z
@@ŸŽwŠö: ŽRŒû Š°
ƒ\ƒvƒ‰ƒmFŽè“‡@—R‹IŽq @ƒeƒm[ƒ‹F‘åàV@ˆê²
wƒAƒC[ƒ_x‘æ2–‹ƒOƒ‰ƒ“EƒtƒBƒi[ƒŒ‚æ‚蔲ˆ G.F.F.Verdi`¬ŒŠ —Yˆê/OP‰Á•M
Selection from Gran Finale secondo of "Aida"
wˆ¤‚Ì–­–òx‚æ‚èul’m‚ê‚ʗ܁v@iƒeƒm[ƒ‹j G. Donizetti`ŽRŒû Š°
Una furtiva lagrima from "L'elisir d'amore"
wƒgƒXƒJx‚æ‚èu‰Ì‚ɐ¶‚«ˆ¤‚ɐ¶‚«v@iƒ\ƒvƒ‰ƒmj G. Puccini`ŽRŒû Š°
Vissi d'arte, vissi d'amore from "Tosca"
wƒgƒXƒJx‚æ‚èu¯‚ÍŒõ‚è‚ʁv@iƒeƒm[ƒ‹j G. Puccini`ŽRŒû Š°
E lucevan le stelle from "Tosca"
wƒgƒDƒ‰ƒ“ƒhƒbƒgx‚æ‚èu‚¾‚ê‚àQ‚Ä‚Í‚È‚ç‚ʁviƒeƒm[ƒ‹j G. Puccini`ŽRŒû Š°
Nessun dorma! from "Turandot"
wƒ|[ƒM[‚ƃxƒXx‚æ‚èuƒTƒ}[ƒ^ƒCƒ€v iƒ\ƒvƒ‰ƒmj G. Gershwin`•ž•” ³
Summertime from "Porgy and Bess"
wƒŒEƒ~ƒ[ƒ‰ƒuƒ‹x‚æ‚èu–²”j‚ê‚āv@iƒ\ƒvƒ‰ƒmj C. M. Schoenberg`ŽRŒû Š°
I dreamed a dream from "Les Miserables"
wƒIƒyƒ‰À‚̉ölx iƒ\ƒvƒ‰ƒmEƒeƒm[ƒ‹j A. L. Webber`ŽRŒû Š°
Theme from "The phantom of the opera"
ƒƒAƒ“ƒR[ƒ‹„
wƒEƒGƒXƒgƒTƒCƒh ƒXƒg[ƒŠ[x‚æ‚èuƒgƒDƒiƒCƒgv L. Bernstein`¬ŒŠ —Yˆê
Tonight from "West Side Story"
‰ÌŒ€wƒJƒ”ƒ@ƒŒƒŠƒA@ƒ‹ƒXƒ`ƒJ[ƒix‚æ‚èŠÔ‘t‹È P. Mascagni`•ž•” ³
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‘æ‚V‰ñ@’èŠú‰‰‘t‰ï
2010.9.26 (“ú)@14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
@y‚P•”z
@@ŸŽwŠö: ‹Ë“‡ ˆê˜Y
ƒMƒŠƒVƒƒ•—Žå‘è‚É‚æ‚鏘‹È Ouverture sur themes Helleniques N. Lavdas
–é‚̈óÛƒŒ¶‘z‹È„ Impressioni Notturne, Fantasia D. De Giovanni
ƒyƒKƒTƒXiƒ}ƒ“ƒhƒŠƒ“EƒI[ƒPƒXƒgƒ‰‚ׂ̈́j ›–ì —RO
Pegasus for Mandolin Orchestra
@y‚Q•”z
@@ŸŽwŠö: ŽRŒû Š°
ƒZƒ”ƒBƒŠƒA‚Ì—”¯Žt@˜‹È Ouverture di Barbiere di Siviglia Rossini`E. Marucelli/•ž•” ³
t‚̐ºƒƒƒ‹ƒc,ƒ\ƒvƒ‰ƒm•t„ Fruhlingsstimmen, Walzer op.410 J. Stauss II`ŽRŒû Š°
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq
ƒƒAƒ“ƒR[ƒ‹„
ƒAƒ”ƒFEƒ}ƒŠƒA Ave Maria G. Caccini`ŽRŒû Š°
ƒCƒ^ƒŠƒAƒ“Eƒtƒ@ƒ“ƒ^ƒW[ Italian Fantasy •ž•” ³ \¬E•Ò‹È
ƒ\ƒvƒ‰ƒmFŽè“‡ —R‹IŽq
ƒƒAƒ“ƒR[ƒ‹„
ƒ[ƒŒƒ‰ƒCEƒpƒ‰ƒtƒŒƒCƒY Loreley-Paraphrase J. Nesvadba`S. Ranieri/ŽRŒû Š°
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‘æ‚U‰ñ@’èŠú‰‰‘t‰ï
2009.9.20(“ú)@14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
@y‚P•”z
@@ŸŽwŠö: ‹Ë“‡ ˆê˜Y
Œð‹¿“I‘O‘t‹È Preludio Sinfonico Ugo Bottacchiari
ŒŽ‚ÌŒõƒŒ¶‘z‹È„ Raggio di Luna, fantasia D. Vastano
@@ŸŽwŠö: ŽRŒû Š°
ƒgƒ‰ƒ“ƒyƒbƒg‹¦‘t‹È@ƒz’·’² Konzert fur Trompete und Orchester J. N. Hummel`ŽRŒû Š°
‘æ1ŠyÍ ƒAƒŒƒOƒEƒRƒ“EƒXƒs[ƒŠƒg @Allegro con spirito
‘æ2ŠyÍ ƒAƒ“ƒ_ƒ“ƒe Andante
‘æ3ŠyÍ ƒƒ“ƒh Rondo
ƒgƒ‰ƒ“ƒyƒbƒg“Æ‘tF²“¡ —F‹I
ƒƒAƒ“ƒR[ƒ‹„
ƒAƒ”ƒFEƒ}ƒŠƒA Ave Maria G. Caccini`Æˆä NŽq
@y‚Q•”z
@@ŸŽwŠö: ŽRŒû Š°
H‚ÌŽ Poem of Autumn ‰¡ŽR äŎ™ •Ò‹È
Œ|p‰Æ‚̐¶Šˆ Kunstlerleben Op.316 J. Strauss‡U`ŽRŒû Š°
‰ÌŒ€uƒJƒ”ƒ@ƒŒƒŠƒAEƒ‹ƒXƒeƒBƒJ[ƒiv‚æ‚èŠÔ‘t‹È P. Mascagni`•ž•” ³
hCavalleria Rusticana", Intermezzo
ƒCƒOƒAƒX‚Ì“øiˆÏúì•ij The Rainbow of Iguassu ’©‰ª ^–ØŽq
ƒƒAƒ“ƒR[ƒ‹„
ƒƒ‹ƒcƒBƒ“ƒOEƒLƒƒƒbƒg @ The Waltzing Cat L. Anderson`ŽRŒû Š°
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‘æ‚T‰ñ@’èŠú‰‰‘t‰ï
2008.9.7(“ú)@14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
ŸŽwŠöFŽRŒû Š°
@y‚P•”z
@mAnƒ}ƒ“ƒhƒŠƒ“EƒI[ƒPƒXƒgƒ‰
ŠC‚̏­— A Maiden on the Shore •ž•” ³
ƒ‰ƒvƒ\ƒfƒBEƒCƒ“Eƒuƒ‹[ Rhapsody in Blue G. Gershwin`A. Veprinsky
ƒhƒ€ƒ‰“Æ‘tFƒ^ƒ}[ƒ‰Eƒ”ƒHƒ‹ƒXƒJƒ„
ƒiƒ|ƒŠ‚Ì‰Ì Little Neapolitan Song P. I. Tchaikovsky`A. Trofimov
ƒhƒ€ƒ‰“Æ‘tFƒ^ƒ}[ƒ‰Eƒ”ƒHƒ‹ƒXƒJƒ„
ƒoƒ„ƒ““Æ‘tFƒAƒiƒg[ƒŠ[EƒgƒƒtƒB[ƒ‚ƒt
@mBngƒƒVƒAEƒfƒ…ƒIh@i"Russian Duo" `Tamara • Anatoliyj
ƒƒVƒA–¯—wuŽR‚ɂ̓JƒŠ[ƒiv‚É‚æ‚é•Ï‘t‹È Traditional`A. Trofimov
Variations on Russian Folk Song "Na gore-to Kalina"
“ñ‚‚̃ƒVƒA‰Ì‹Èu‚â‚È‚¬v‚Ɓu‚æ‚낱‚сv Traditional`A. Trofimov
Two Russian Songs "The Willow" and "The Joy"
‰ÌŒ€uƒEƒBƒŠƒAƒ€Eƒeƒ‹v˜‹È The Opera "William Tell" Overture G. Rossini`A. Trofimov
ƒƒVƒAEƒWƒvƒV[‰Ì—wu•‚¢“µv Traditional`A. Trofimov
Russian Gypsy Romance "Dark Eyes"

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ƒ‚ƒXƒNƒŒ©•¨@Moscow Tour D. Shostakovich`A. Trofimov
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˜‹È@ƒj’Z’² Ouverture in Re minore S. F. Giangreco
‰H‚̉S The Song of Japanese Autumn ŒKŒ´ N—Y
ƒEƒB[ƒ“‚̐X‚Ì•¨Œê Geschichten aus dem Wienerwald J. Strauss‡U`•ž•” ³
ƒ`ƒ^[“Æ‘tF“à“¡ •qŽq

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‘æŽO‚Ì’j Medley from the movie picture "The Third Man" A. Karas`“à“¡ •qŽq
ƒ`ƒ^[“Æ‘tF“à“¡ •qŽq
‘O‘t‹È ƒIƒyƒ‰u’Ö•Pv‚æ‚è Preludio from the Opera "La traviata" G. F. F. Verdi`•ž•” ³
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‘æ‚S‰ñ@’èŠú‰‰‘t‰ï
2007.10.14(“ú)@14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
ŸŽwŠöFŽRŒû Š°
@y‚P•”z
Ì‚ƍ¡ Antico e Moderno, sinfonia G. Manente`’†–ì “ñ˜Y
ƒ}ƒ“ƒhƒŠƒ“EƒI[ƒPƒXƒgƒ‰‚Ì‚½‚߂́uƒŠƒI‚ÌŠC•—v ’©‰ª ^–ØŽq
"The Sea Breeze of Rio" for mandolin
uƒƒVƒA‚Ì—x‚èv”’’¹‚̌΂æ‚è P. I. Tchaikovsky`A. Trofimov
"Russian Dance" from The Swan Lake Op.20
ƒhƒ€ƒ‰“Æ‘tFƒ^ƒ}[ƒ‰Eƒ”ƒHƒ‹ƒXƒJƒ„
ƒcƒBƒSƒCƒlƒ‹ƒƒCƒ[ƒ“ Zigeunerweisen Op.20 P. de Sarasate`ŽRŒû Š°
ƒhƒ€ƒ‰“Æ‘tFƒ^ƒ}[ƒ‰Eƒ”ƒHƒ‹ƒXƒJƒ„

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Šy‚µ‚¢ƒƒVƒA‚Ì’²‚× Russian joyful tunes BDMikheev
ƒhƒ€ƒ‰“Æ‘tFƒ^ƒ}[ƒ‰Eƒ”ƒHƒ‹ƒXƒJƒ„

uƒ‹ƒCƒXEƒAƒƒ“ƒ\‚ÌŒ‹¥Ž®vŠÔ‘t‹È J. Gimenez`J. L. Gonzales
La Boda de Luis Alonso, Intermedio
@y‚Q•”z
ƒ~ƒ…[ƒWƒJƒ‹Eƒtƒ@ƒ“ƒ^ƒW[uƒVƒ“ƒfƒŒƒ‰viƒVƒƒƒ‹ƒ‹Eƒyƒ[Œ´ìj •ž•” ³ì‹È
Musical Fantasy "Cinderella" (written by Charles Perrault) `ˆÉ“¡ ŠC•FìŽŒE\¬
ƒ\ƒvƒ‰ƒmiƒVƒ“ƒfƒŒƒ‰)FŽè“‡ —R‹IŽq
ƒeƒm[ƒ‹i‰¤Žq)FˆÉ”g ˆÒs
‡¥Fƒ`ƒFƒlƒŒƒ“ƒgƒ‰—º‡¥’c
Œê‚èŽèFrˆä ”º”ü

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Š£”t‚Ì‰Ì ƒIƒyƒ‰u’Ö•Pv‚æ‚è G. F. F. Verdi`ŽRŒû Š°
Brindisi from the Opera "La traviata"
uƒ‹ƒCƒXEƒAƒƒ“ƒ\‚Ì•‘“¥‰ïvŠÔ‘t‹È J. Gimenez`J. L. Gonzales
El Baile de Luis Alonso, Intermedio
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‘æ‚R‰ñ@’èŠú‰‰‘t‰ï
2006.9.3(“ú)@14:00`@™•ÀŒö‰ï“°‘åƒz[ƒ‹
ŸŽwŠöFŽRŒû Š° / ¦FàVˆä œAŠì
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¦ –kH The Northern Fall, Op.16 –Ø‘º Œ·ŽO
¦ ŠÔ‘t‹È Intermezzo S. F. Giangreco`•ž•” ³•âì
¦ ƒtƒ@ƒ‰ƒ“ƒh[ƒ‹@-uƒAƒ‹ƒ‹‚̏—v‘æ‚Q‘g‹È‚æ‚è- G. Bizet`•ž•” ³
Farandole from "L'Arlesienne Op.23, Deuxieme Suite"
‹F‚è|ŠÔ‘t‹È ƒŒÌ‰ª–{‰ÀŽqŒN’Ç“‰„ Invocazione, intermezzo S. Salvetti
ƒgƒ‰ƒ“ƒyƒbƒg‹¦‘t‹È •Ïƒz’·’² Trumpet Concerto, E flat major F. J. Haydn`ŽRŒû Š°
‘æ1ŠyÍ ƒAƒŒƒOƒ@Allegro
‘æ2ŠyÍ ƒAƒ“ƒ_ƒ“ƒe Andante
‘æ3ŠyÍ ƒAƒŒƒOƒ Allegro
ƒgƒ‰ƒ“ƒyƒbƒg“Æ‘tF²“¡ —F‹I

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–²‚Ì‚ ‚Æ‚É Apres un Reve G. Faure
ƒgƒ‰ƒ“ƒyƒbƒg“Æ‘tF²“¡ —F‹I
@y‚Q•”z
ƒ~ƒ…[ƒWƒJƒ‹Eƒtƒ@ƒ“ƒ^ƒW[ul‹›•PviƒAƒ“ƒfƒ‹ƒZƒ“Œ´ìj •ž•” ³ìŽŒEì‹È
Musical Fantasy "The Little Mermaid" (written by H. C. Andersenj `’|–{ ˆõŽq\¬
ƒ\ƒvƒ‰ƒmil‹›•P)F“y“c ‘Žq
ƒeƒm[ƒ‹i‰¤Žq)FˆÉ”g ˆÒs
¬º‡¥FƒRƒ‰[ƒ‹EƒhƒDEƒVƒŒ[ƒk
Œê‚èŽèFrˆä ”º”ü

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•l•Ó‚Ì‰Ì A song of sea-shore ¬“c ˆ×ŽO`’†–ì “ñ˜Y
ƒhƒ“EƒWƒ‡ƒ”ƒ@ƒ“ƒj‚̃ZƒŒƒi[ƒf@iƒJƒ“ƒcƒHƒlƒbƒ^u‘‹•Ó‚É‚¨‚¢‚Łvj W. A. Mozart`C. Munier`
Serenade from the Opera "Don Giovanni" ’†–ì “ñ˜Y
•Î‚悳‚ê The folk song of Tsugaru, Kuroishi Yosare Bushi –Ø‘º Œ·ŽO
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2005.9.3(“y)@14:00`@ƒeƒBƒAƒ‰‚±‚¤‚Æ‚¤‘åƒz[ƒ‹
ŸŽwŠö-3•”FŽRŒû Š° / 1•”FàVˆä œAŠì
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ƒƒŠƒA‚Ì•½Œ´‚É—§‚¿‚Ä Sulla Piana della Melia G. Manente`’†–ì “ñ˜Y
ƒJƒCƒ‚ÌŽv‚¢o Ricordo di Cairo G. Manente
•‘“¥‰ïiŒ¶‘zŒð‹¿‹È ‘æ2ŠyÍj Un Bal H. Berlioz`àVˆä œAŠì
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ƒhƒ€ƒ‰“Æ‘tFƒ^ƒ}[ƒ‰Eƒ”ƒHƒ‹ƒXƒJƒ„@(Tamara Volskaya)
ƒsƒAƒm”º‘t Fƒiƒ^[ƒŠƒƒEƒAƒjƒ~[ƒcƒ@@(Natalia Animitsa)
ƒiƒCƒ`ƒ“ƒQ[ƒ‹ The Nightingale A. A. Alyabyev`A. Trofimov
ƒgƒƒCƒƒ‰ƒC Traumerei R. Schumann
ƒo[ƒŒƒXƒNiƒ”ƒ@ƒCƒIƒŠƒ“‹¦‘t‹È‘æ1”ԏIŠyÍj Burlesque D. D. Shostakovich
˜‘t‚ƃ^ƒ‰ƒ“ƒeƒ‰ Introduction and Tarantella P. de Sarasate

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ƒƒVƒAEƒWƒvƒV[‰Ì—wu•‚¢“µv Russian Gypsy Romance "Dark Eyes" Traditional`A. Trofimov
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˜‘t‚ƃƒ“ƒhEƒJƒvƒŠƒbƒ`ƒ‡[ƒ\ Introduction and Rond Capriccioso C. Saint=Saens`¬ŒŠ —Yˆê
ƒhƒ€ƒ‰“Æ‘tFƒ^ƒ}[ƒ‰Eƒ”ƒHƒ‹ƒXƒJƒ„
•‘“¥‰ï‚Ì”ü— Belle of the Ball L. Anderson`¬ŒŠ —Yˆê
ƒyƒKƒTƒXiƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈́j ›–ì —RO
Pegasusifor mandolin orchestraj

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—‹–‚ƈîÈ Thunder and Lighting J. Strauss II`•ž•” ³`OP•â
ƒGƒXƒp|ƒjƒƒEƒJ[ƒj Espana Cani P. Marquina`•ž•” ³
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‘æ‚P‰ñ@’èŠú‰‰‘t‰ï
@2004.9.19(“ú)@19:00`@—û”n•¶‰»ƒZƒ“ƒ^[¬ƒz[ƒ‹
ŸŽwŠö-2A3•”FŽRŒû Š° / 1•”FàVˆä œAŠì
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ƒŒƒi[ƒ^ | ˜‹È Renata|overture G. Lavitrano
ƒZƒŒƒi[ƒ^Eƒ‚ƒŠƒXƒJ Serenata Morisca R. Chapi`•ž•” ³
ƒ‹ƒK[ƒmŒÎ‚ɂā|ƒ}ƒ“ƒhƒŠƒ“‚ƃ}ƒ“ƒhƒ‰‚ׂ̈̏¬‹¦‘t‹È àVˆä œAŠì
At the Lake Lugano
ƒ}ƒ“ƒhƒŠƒ““Æ‘tFŽRŒû Š°
ƒ}ƒ“ƒhƒ‰“Æ‘tF‰ÍŒû Ž”äŒÃ
@y‚Q•”z
ƒ~ƒ…[ƒY‚̐X The Forest of the Muse b“c OŽu
ŠC‚̃tƒ@ƒ“ƒ^ƒW[ |gŠC‚É—ˆ‚½‚êh‚É‚æ‚é ‰¡ŽR äŎ™
Mar Fantasia |by the theme of "Vieni sul Mar"
ƒ}ƒ“ƒhƒŠƒ“ƒI[ƒPƒXƒgƒ‰‚ׂ̈̃Vƒ“ƒtƒHƒjƒGƒbƒ^ |‘æ‚P”Ô ‘åŒI —T
Snfonietta for mandolin orchestra(No.1)
‘æ1ŠyÍ ƒAƒŒƒOƒEƒ}Eƒmƒ“Eƒgƒƒbƒ| Allegro ma non troppo
‘æ2ŠyÍ ƒAƒ“ƒ_ƒ“ƒeEƒGƒXƒvƒŒƒbƒVƒ”ƒH Andante espressivo
‘æ3ŠyÍ ƒAƒŒƒOƒEƒ‚ƒ‹ƒgEƒ”ƒBƒ”ƒ@[ƒ`ƒF Allegro molto Vivac
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ƒ~ƒ…[ƒWƒJƒ‹Eƒtƒ@ƒ“ƒ^ƒW[u‚©‚®‚â•Pv •ž•” ³`ˆÉ“¡ ŠC•F‹rF
Musical Fantasy "KAGUYA-HIME"
ƒ\ƒvƒ‰ƒmi‚©‚®‚â•P)F…–ì ‹MŽq
‡¥Fƒ”ƒH[ƒ`ƒFEƒfƒBEƒmƒbƒe i’jºŽld¥j
@@’Ò’[ Š²•F iƒgƒbƒvƒeƒm[ƒ‹j
@@”ª”½ŠÛ ‘P•¶ iƒZƒJƒ“ƒhƒeƒm[ƒ‹j
@@“à“c ‰ël iƒoƒŠƒgƒ“j
@@’†£ “ú²’j iƒoƒXj
Œê‚èŽèF^ŽÀ ˆê˜H

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–ì‚Ì—r Sheep in the field •ž•” ³A ‘å–Ø “Õ•v ŽŒ
‚¢‚´‹N‚āAíl‚æI The song of soldiers J. McGranahanA“¡ˆä ‘׈ê˜YŽŒ
•l•Ó‚Ì‰Ì A song of sea-shore ¬“c ˆ×ŽO`’†–ì “ñ˜Y

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